rss vimeo twitter facebook instagram

text

on the preposition ‘on’ times three and one parentheses

author

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 105-110. 2017.


text

Intransitivity in the photographic image in the early work of Mónica Bengoa

author

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 113-117. 2017.


text

The thickness of color

author

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 119-123. 2017.


text

Four takes on Mónica Bengoa’s work

author

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 125-130. 2017.


text

Mónica Bengoa and the Problem of the Real

author

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 133-136. 2017.


text

The Literalist: Lessons in Looking, Courtesy of Mónica Bengoa’s Handmade Photography

author

Essay written in the context of the exhibition of the installation Still life / Style leaf in ARCO, Madrid, Spain. 2014.


text

Monica Bengoa: The ineffable joys of enumeration

author

Text written on occasion of the International Art Symposium in-situ , Art and Nature LIEUX / LIEUES, held at Les Jardins du précambrien, in Val-David, Québec, Canada.


text

Extremely loud and incredibly close

author

The Storytellers. Narratives in International Contemporary Art. Ed. Selene Wendt. p.74-77. Stenersen Museum, Oslo, Norway. 2012


text

Some Considerations On Insects And Wildflowers

author

Einige Beobachtungen über Insekten un Wildblumen or Some Considerations On Insects And Wildflowers. Triptych, MAVI, Santiago Visual Arts Museum exhibition, 2012.


text

Observations from the inside out

author

Mónica Bengoa. L’envers de l’observation. María Berríos, in Exhibition catalogue Chili,l’envers du décor, p.13, 34-35. Paris, France. 2010


text

The grid and its limits: enormous minuscule maps of an immense subtlety

author

The grid and it’s limits: enormous minuscule maps of an immense subtlety . Fernando Pérez Villalón, in Solo exhibition catalogue between the exhaustive and the inconclusive. p.37-39. Santiago, Chile. 2009


text

Monica Bengoa’s Studiolo

author

Mónica Bengoa’s Studiolo. 52 Biennial of Venice. some aspects of color in general and red and black in particular catalog, p.20-22. Santiago, Chile. 2007



  1. © 2018 monica bengoa

social


social