Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 105-110. 2017.

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 113-117. 2017.

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 119-123. 2017.

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 125-130. 2017.

Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 133-136. 2017.

Essay written in the context of the exhibition of the installation Still life / Style leaf in ARCO, Madrid, Spain. 2014.

Text written on occasion of the International Art Symposium in-situ , Art and Nature LIEUX / LIEUES, held at Les Jardins du précambrien, in Val-David, Québec, Canada.

The Storytellers. Narratives in International Contemporary Art. Ed. Selene Wendt. p.74-77. Stenersen Museum, Oslo, Norway. 2012

Einige Beobachtungen über Insekten un Wildblumen or Some Considerations On Insects And Wildflowers. Triptych, MAVI, Santiago Visual Arts Museum exhibition, 2012.

Mónica Bengoa. L’envers de l’observation. María Berríos, in Exhibition catalogue Chili,l’envers du décor, p.13, 34-35. Paris, France. 2010

The grid and it’s limits: enormous minuscule maps of an immense subtlety . Fernando Pérez Villalón, in Solo exhibition catalogue between the exhaustive and the inconclusive. p.37-39. Santiago, Chile. 2009

Mónica Bengoa’s Studiolo. 52 Biennial of Venice. some aspects of color in general and red and black in particular catalog, p.20-22. Santiago, Chile. 2007