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on the preposition ‘on’ times three and one parentheses

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Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 105-110. 2017.


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Intransitivity in the photographic image in the early work of Mónica Bengoa

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Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 113-117. 2017.


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The thickness of color

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Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 119-123. 2017.


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Four takes on Mónica Bengoa’s work

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Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 125-130. 2017.


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Mónica Bengoa and the Problem of the Real

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Published in m. [una tentativa de inventario exhaustivo, aunque siempre inconcluso], Santiago, Chile. Ed EUONIA, p. 133-136. 2017.


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The painting in the text: work tables

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Published in W (doble ve), Santiago, Chile. Ed Mónica Bengoa, p. 68-71. 2014.


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Inquiries of the gaze: care and delight

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Adaptation by the author, for the book W doble ve originally published in “Letras en Línea”, on occasion of the solo exhibition Einige Beobachtungen über Insekten joins Wildblumen … , MAVI Museum of Visual Arts. Santiago, Chile. www.letrasenlinea.cl, April 2012.


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Chile Extreme Art: New tendencies in the changing century

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In Interview to Mónica Bengoa in Chile Extreme Art: New tendencies in the changing century. p.275-278. Santiago, Chile. 2008


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Singular displacements

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La pintura se interroga (in painting one interrogates) published in Pintura en Chile 1950-2005, Grandes temas (painting in Chile, 1950-2005, great issues), pg. 160-163, Santiago, Cecilia Valdés, publisher.


  1. © 2018 monica bengoa

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