The grid and it’s limits: enormous minuscule maps of an immense subtlety . Fernando Pérez Villalón, in Solo exhibition catalogue between the exhaustive and the inconclusive. p.37-39. Santiago, Chile. 2009

In Interview to Mónica Bengoa in Chile Extreme Art: New tendencies in the changing century. p.275-278. Santiago, Chile. 2008

Mónica Bengoa’s Studiolo. 52 Biennial of Venice. some aspects of color in general and red and black in particular catalog, p.20-22. Santiago, Chile. 2007

Mónica Bengoa from Santiago to Venice. Herzberg, Julia P. In Venice Biennial project catalog, some aspects of color in general and red and black in particular, p.09-17. Santiago, Chile. 2007

Art Is Made by the Hands. Alma Ruiz, in Exhibition catalogue Poetics of the Handmade, p.14-16. Los Angeles, CA., United States. 2007

La pintura se interroga (in painting one interrogates) published in Pintura en Chile 1950-2005, Grandes temas (painting in Chile, 1950-2005, great issues), pg. 160-163, Santiago, Cecilia Valdés, publisher.

(I would like to write a text as fine as your work), in Solo exhibition catalogue enero, 7:25, p.16-30. Santiago, Chile. 2004

Mónica Bengoa: The Color of the Garden, by Julia P. Herzberg, Ph.D. Art historian and independent curator. Exhibition brochure. New York, United States. 2004

Monumental Fragility, The work of Monica Bengoa by Yu Yeon Kim, in Mónica Bengoa: Cuaderno en Mano (Santiago: self-published, 2004)

Post-Photographic: The Art of Mónica Bengoa, by Christian Viveros-Fauné. January 15, 2004

In exhibition catalog. Galería Animal Exhibitions 2000 / 2001. p.124-127. Santiago, Chile. 2001

In 1998 Exhibitions catalog. Galería Posada del Corregidor. p.122-123. Santiago, Chile. 1999